Monthly Archives: February 2015

Queen Bee Meets Woman Drummer

Bhramari Devi (Bee Goddess/Queen Bee)

It is after one month of strange feelings Her body is buzzing like many Bees are living inside her. THe whole world around her and within her is vibrating. Doctors say her nervous system is exhausted. She likes to name it being very sensitive.

That day, after friends have visited her, Isa is tired.
She lays down to rest and then all at the sudden it starts. The noise in her head and body, vibrations inside and outside swirling in and over her. She’s taken over by Vibrations. She starts panicking which makes it even worse.
She is overwhelmed by it, feels desperate. It will drive her crazy, that noise, all those vibrations. She doesn’t exist anymore. She is electricity only. There is only this ocean of chaos.
And somehow, somewhere, something essential from her is still there. Now she can describe it like being in the center of a storm, in the stillpoint of it, there is still something left from her – Witnessing.
The Sacred Witness reminds her of what she once heard about the Snake Ceremony, standing at the Fire fully naked after having shed skin, no past, no future, only the very moment and the Unknown.

Then a clear Insight/Inspiration comes to her: this is a Hive without a Queen. And the Voice of the Sacred Witness asks without speaking the words out loud: who is the Queen here. An immediate response from a womans voice: you are the Queen.
These words sort of hardens her a bit back into shape again.
She is the Queen. She has to hold this Hive, her Hive, Herself, together. Misty rags of old patterns pass by, feelings of guilt and feelings of being a victim.
She feels sick, miserable, weak, but she is the Queen, she has to take responsibility as Co-Creator now and bring this chaos back into structure again and she finally stands up and takes her Drum, starting to play the Heartbeat, softly, lightly, because she exists from vibration only and her Drum as soon as she will touch it will vibrate as well. Then she starts playing a Rhythm called Bhramari Devi (Bee Goddess) with both hands. She puts the Drum on her lap because holding it is to heavy for her at this moment and she keeps playing this Rhythm, softly, lightly, using both hands very consciously because she knows using both her hands will make her brain hemispheres work together, will synchronize them and will lead her out of Chaos into Structure again. And so it happens.
And all the time her Guidedog has been laying besides her keeping her warm
and being ready to guide her even in the Inner World.

She feels vulnerable afterwards like a baby just being born but she knows everything is gonna be alright and she is ready for this new phase of her life she just has been born into.

Credits: The featured Drum which she has named Whispers of the Great Mystery is painted by Nikiah Seeds from

Bhramari Devi is composed and performed by Isabella Verbruggen from

The First Sound


Why the Frame Drum Was at the Core of Ancient Mediterranean Spiritual Rites by Layne Redmond

The first sound we hear is the pulse of our mother’s blood. We vibrate to this primordial
pulse even before we have ears to hear. All the eggs a woman will ever have form in her
ovaries when she is a four-month-old fetus. This means that the sacred egg that developed
into the person you are now, formed in your mother’s ovary when she was growing in the womb
of her mother. Each of us, male and female, spent five months in the womb of our
grandmother, rocking to the beat of her blood. And our mother spent five months rocking to
the pulse of her grandmother’s blood, and her mother pulsed to the beat of her
grandmother’s blood. Back through the pulse of all the mothers and all the grandmothers,
through the beat of the blood that we all share, this sound returns us to the preconscious
state, to the inner structure of the mind, to the power and the source of who and what we
actually are: the pulsing unified field of all consciousness existing everywhere, within
everything, beyond past, present, or future.

The sound of the drum has represented this
primordial pulse of creation since the beginning of human ritual.
It is an ancient thought that rhythmic sound is at the root of all creation, that the world
is structured by sound, and that life is rhythm. In India the influence of rhythm and
tuning on consciousness has been explored for thousands of years and is considered a form
of yoga – Nada Yoga. The primary concept of nada yoga is that ultimate reality emanates
from a primordial first sound, the pulse, which echoes the 20th century scientists’ concept
of the Big Bang that creates the universe. The frequencies of this root vibration create
our physical world. As human beings, we are also emanations of this vibration and subject
to the laws of sound.
This archetypal pulse of consciousness vibrates within us as the
sound of our own heart beating.
Every human being on the planet took form to the primal pulse and this sound has the power
to draw us back to our earliest stirrings of awareness. 

This is why drumming has been at
the core of shamanistic, religious, and transformative rites since Paleolithic times. The
power of rhythmic sound returns us to the pre-socialized, unconditioned, and balanced state
of awareness we experienced in the womb.
Rhythmic sound generated by a master drummer can captivate and move the conscious mind out
of the way. This enables the facilitator, the shaman, priest/priestess or healer to deliver
healing, integrating messages directly to deeper, less conscious realms of the mind that
influence behavior. When participants in the process are also moving, chanting, breathing,
and/or drumming the therapeutic aspects of the experience are greatly magnified.
These kinds of spiritual and therapeutic rhythmic practices synchronize not only our minds
and bodies, but also the two hemispheres of the brain. In a state of hemispheric
synchronization, the capacities of both the left and the right brains function
simultaneously. The mind becomes more concentrated, synthesizing information much more
rapidly than normal. The conscious and unconscious levels of the mind communicate and
integrate more easily. Emotions are easier to understand and transform. Insight quickens
and creative intuition flourishes giving us the ability to visualize and manifest ideas
quickly. Rhythmic breathing and movement encourages alpha waves to become dominant in the
brain, allowing muscle tension to be reduced.  This predominance of alpha brain waves also
creates the release of endorphins, potent brain chemicals that help us cope with pain and
are part of the mechanism for dealing with and eliminating fear and anxiety. As stress
fades, a more beneficial state of peaceful awareness can manifest. Scientists believe that
hemispheric synchronization may be the neurological basis of transcendent states of
consciousness and emotional feelings of spirituality.

These are some of the reasons that the frame drum was at the core of the ancient religious
traditions and that women were so identified with this drum. Symbols, like the lotus, that
represent creation, birth, or the womb, were often painted on the frame drum or the drums
were painted red = the color of blood, the color of life. The frame drum, represented in
the hands of the goddess or her priestess, illustrated her power to create the universe
with one stoke on her drum, with one big beat of her primordial heart every thing
vibrated into existence.